Funny stuff

The original Unforgiven poster - ©Wikipedia

At the beginning of January, I was able to photograph long time FCC member and great photographer Palle Kjar. As Joe McNally would say, the guy has a great face for a picture. When we started the shoot, Palle asked me and the other photographer (Heather Simonds) what we had in mind. We had a few hats and outfits for Palle so I figured we would start off with something simple like a single light setup and add more lights and gradually get more complex. Palle agreed and said he was thinking of doing a parody of the Unforgiven poster. I could sort of remember the poster but I figured I may as well Google it to refresh my memory.

Of course, that just meant that we had to start figuring out the lighting setup right away. Which meant we may as well set up the lights and heck...we may as well shoot it. So much for starting simple! This was probably one of my most challenging lighting setups I've done yet. It wasn't too hard but there were some obstacles to overcome.

I didn't have any problems getting all the lights to fire but Heather did for some reason. To troubleshoot we turned stuff off and then wondered why they didn't fire later. (Oh yeah! Turn that back on now!) We had light spill on to our background so we had to get some gobos in the mix to keep the light off the back ground. Then our nice little light on Palle's hands was off so we had to readjust. Challenging for sure but darn was it actually a lot of fun. It didn't hurt that Palle was incredibly patient so that made things go a lot smoother.  In the end it was a four light setup. Two SB700s to act as rim lights around him. We had to gobo them to keep them from spilling light on the background as mentioned previously. A SB800 to spot light his hands. The pop up flash threw a bit of light over his back to give some more detail. The setup Looked roughly like picture below.

Like I said, it was a lot of fun. Once we finished with this one we switched to simple stuff but this was definitely the most notable of the bunch. I liked the result so much I entered it into the Foothills Camera Club "Humor" competition where it took first. (And got a few laughs when it was shown at the meeting).  I have to give full credit to Palle though. It was his idea and I was just the guy who happened to point the lights and the camera in the right direction.

"The Unforgiving" - click on the image to go to the photoset

Let's make some mistakes!

I've been reading David duChemin's book Vision and Voice in advance of the workshop I am attending next weekend (So excited!). Naturally with a title like "Vision and Voice" he talks about vision a lot. One of the things he mentions is not being afraid to make mistakes and try out new things.

Let's think about that for a second. What exactly is a "mistake" in the photographic world? Certainly we have our technical considerations such as exposure and focus. We also have mistakes we can make with composition. (Hello tree growing out of Aunty Betty's head!). But let's assume that as we gain experience and knowledge, those types of mistakes go away. Where do we create our mistakes then?

I think that as we move along in our photographic and artistic journeys it becomes harder and harder to let loose and just create. As David  duChemin says, a 5 year old with a crayon has no problem finding his vision. And maybe that's where the mistakes are. We get stuck in the rut of capturing images of things as they "should be" and not looking for ways of portraying them as they "could be". Taking the example of the kid with the crayon, he will draw his family as stick figures. Maybe he will vary the heights to show the different people - Daddy is taller than Mommy; The kid is a bit taller than his baby sister. His house might be a basic box and triangle with a door and a window. That's not how it looks in real life though. If an adult were to draw something like that we would say that it "isn't right". But why is that? When you get down to it the crayon drawing matches what the kid sees. You can see immediately why he drew his family and what his vision is.

So back to mistakes. What errors can we make in our photography and art? I think that if we're not able to show the viewer our message then we've missed the mark. A pretty picture that is perfectly sharp and well exposed is not as effective as the one that might be technically less sound but tells a story, makes us dream or takes us to another place. And that, gentle reader, is your ultimate goal. Go somewhere and take us with you. Don't worry if you lose us along the way. We'll catch up eventually.

And because this is a photography blog I thought I'd share my vision of the Albert Memorial. I hope I've taken you with me to the early spring sunset in London where I shot this.

So social...

Well long time no write. At least here. I know there's a few of you who follow me on Twitter (https://twitter.com/crtaylor_photo), like me on Facebook (http://www.facebook.com/CRTaylor.ca), have me as a contact on Flickr (www.flickr.com/crtaylor/) or have me in your circles on Google+. Throw in 500px, dpchallenge.com, and the stuff I submit to the Foothils Camera Club and I have pictures and thoughts floating in a whole bunch of different places.

Then there is this blog. The idea was to have this as the sort of central point where I would post my pics and thoughts and then re-post them in the other places. The thing is that I have been finding the other places so darn convenient to post to. I also have (had?) this weird idea that I need to put up long posts here with lots of words and pictures.

I guess the question is, what role does social media play in photography? For me, its about getting my images and my thoughts out there. I like to read about other people's approach to photography and seeing the fruits of their labors.  Every one of the social media formats I use has a little different audience and a little different offering.

So back to the blog. I guess initially I felt I was getting my idea out via social media so I didn't necessarily need to repeat myself on the blog. Then I realized that there are a lot of people who read this blog that don't follow me on Twitter, don't like my page on Facebook, haven't got me as a contact on Flickr, and don't have me in their Google+ circles.  Then came the realization that I haven't posted here in a very long time. Which strangely became an another reason not to post here. I mean I felt guilty folks.

To the folks who only see my stuff here? Very sorry that I've left you out. I'm not sure when I put a blog specific gag order on myself but its been lifted.